Somebody on Facebook said he finds Heroes in Crisis “frustrating.” He’s not the first one I know to dis Tom King’s new miniseries, and frankly, I don’t know what these people are complaining about. I think HIC is brilliant. Sure, some issues are better than the others, but overall I still think it’s doing great.
And then issue #6 happened, and I was like, WTF!
Sam Stone of Comic Book Resources has nothing but praise about the issue in his review, calling it an “interlude of sorts, both narratively and visually” and a “calm before the storm” as the nine-issue run heads into its final stretch. To me these are just fancy words to describe what I think the issue really is: a filler.
Perhaps Tom King and Clay Mann are really just prepping us for a big climax. Perhaps that’s how they roll. Still, after I closed issue #6, I couldn’t help but feel that somehow the story’s momentum was lost, and that the issue was a missed opportunity to go full bore on the murder mystery. Here’s hoping that the last three issues would be worth the lull.
In other news, started watching The Umbrella Academy on Netflix last Saturday. Whoa! Didn’t expect it to be this good. I feel guilty for not being familiar with the comics. I vow to rectify that oversight soon.
In reading Punisher #218, in where Frank Castle dons the War Machine armor, I couldn’t help but wonder about an entertainment industry where exclusive rights, ego clashes and bureaucracy do not get in the way of filmmaking. Imagine an MCU movie where Jon Bernthal gets hold of Don Cheadle’s armor in the Avengers/Iron Man movies and moves to bring down the government of a rogue state. That’d be awesome, even though, seriously, Punisher in a hi-tech armor is kind of weird. Still, a film industry without much legal restrictions could make the world a happier place.
Read me some Thunderbolts today, starting with issue #152, the issue that kicked off the Violent Rejection TPB. I ended the day with two issues short of finishing the collected edition. What can I say? Life interfered.